1
Start with the master.
One finished 16:9 cut, exactly as you shipped it. Nothing to re-edit, nothing to prep.
Workflow · Mobile transformation
Years of 16:9, turned vertical at scale.
Point Prism at the cut you already made. It reads the scene, follows whoever carries the moment, and switches layout when one frame can’t hold the story. You approve every step.
Watch it happen.
One real master, reframed and shipped platform-native, start to finish.
Inside the reframe.
Prism produces the first cut and hands you the controls with it: focal areas, layout choices, and framing, all live in the Editing Suite to approve or change.
One moment, framed two ways.
A single wide shot often carries two performances at once: the vocalist at the mic, the pianist mid-verse. Prism finds both focal areas and stacks them into one 9:16 cut, Split Screen, Quarters, Diamond, or Anchor. Composed for the format, never a crop.
How Mobile transformation works.
From master to platform-native set in four steps. Have your say at every stage.
2
Choose your destinations.
Pick the formats you need to ship: vertical, square, story, or your own preset.
3
Prism reframes the story.
It reads the scene, follows whoever carries the moment, and switches layout when a single frame can’t hold it. Never a centre crop.
4
Get the platform-native set.
A finished cut per destination, captions and brand intact, delivered to your workflow or straight back through the API.
One workflow, every capability.
Reframe the cut, recompose every frame, and ship to every platform — Prism does the production work, and hands you the controls at any step.
Ask Prism anything.
Just describe the edit you want, in plain English.
Follows the subject.
Scene-aware tracking keeps whoever carries the moment in frame.
Switches the layout.
Split Screen, Quarters, Diamond, or Anchor, when one frame can’t hold it.
Captions in your style.
Animated captions, always on brand.
Builds the graphics.
Lower-thirds, bumpers, and chyrons generated in your style.
Voices it your way.
Custom voices, presenters, and personas.
Grade and colour.
Full grading controls, inside the Suite.
Mix the audio.
Levels, clipping, and music, in the editor.
Reframes every format.
One cut, recomposed to 16:9, 9:16, 1:1, and 4:5.
Translates and dubs.
New languages, same voice, captions included.
Cut on the timeline.
Full manual control in the Editing Suite, any time.
Ships every platform.
Broadcast, web, and social — platform-native.
Enterprise
Enterprise-ready, editorially controlled.
Built for broadcasters and media teams turning deep 16:9 catalogs vertical at scale: your MAM, your approvals, your brand.
Editorial control, end to end.
Grounded in the master your desk already approved, reviewed by your team before it ships, traceable to the timecode it came from. Prism never invents footage or fabricates frames.
Granular team permissions.
Roles, approval gates, and brand controls — configurable per workflow, per brand, per team.
Support that knows your stack.
Dedicated onboarding and deployment, region-specific where you need it.
SOC 2 Type II*
GDPR compliant · EU data residency
Encrypted in transit & at rest
*Independent SOC 2 Type II audit in progress — report expected late 2026.
FAQ
Frequently asked questions.
The things broadcasters and media teams ask us most. Anything we missed? Book a demo and ask us directly.
Production-grade AI video for broadcasters and media teams. Prism turns the 16:9 masters you already own into finished, platform-native packages: vertical for Reels and Shorts, square and 4:5 for the feeds, a cut for every destination — all from one file. It’s a production system, not a clip generator.
No. Prism recomposes the footage you already shot — nothing is generated, stretched, or filled in. Every cut is built from the frames of your master and traces back to the timecode it came from, so the desk can stand behind every frame.
Auto-crop keeps the centre of the frame and hopes. Prism reads the scene: it finds the key focal areas, follows whoever is carrying the moment, and switches to Split Screen, Quarters, Diamond, or Anchor when a single frame can’t hold the story. The result is a native vertical composition, not a slice of a wide one.
Your team. You choose the destinations, review every reframe, and your editors keep full control in the Editing Suite: framing, layout, captions, and sound. Prism does the recomposition; your people make every editorial call, and nothing ships without approval.
From one file: vertical cuts for Reels, Shorts, and TikTok, square and 4:5 for the feeds, and custom ratios for anywhere else — captions, graphics, and branding recomposed for each. Produce once; ship them all. Point it at a single master or a whole back catalog.
Yes. Pull masters straight from the asset managers and libraries you already run, and deliver finished cuts back to them — or straight to publishing through the API. It fits alongside your stack, not in place of it.
Your source material stays yours. Prism works only with the libraries you connect, never trains on your footage, and keeps every output traceable to its source. GDPR compliant with EU data residency; SOC 2 Type II audit in progress.
Prism is rolling out to broadcasters and media teams. Book a demo and we’ll turn one of your own masters into a platform-native set.
Let's create your next story, together.
See how Video Intelligence can transform your production workflow.
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